This tutorial is as much a lesson in the theory of synthesis as it is a deep exploration of the ES2 in Logic Pro X. Drawing on years of sound design experience, Steve H. shows you what subtractive , FM, and Pulse Width synthesis really is.
As an incredible bonus, Steve demonstrates how these waves actually look using a digital oscilloscope, so you can see and hear the differences between these popular forms of synthesis.
App Features:
• 164 minutes of video training
• Super clear explanations
• Offline Playback (no internet connection needed)
• Easy to navigate
Course Outline:
1. Suffering From Presetitus? (01:04)
2. ES2 Geography Lesson (03:27)
3. Audio Signal Flow (04:02)
4. Exploring The Routers (03:48)
5. Looking At Waves (05:42)
6. Adding Oscillator 2 & 3 (04:44)
7. Using The Triangle (03:46)
8. About Global Parameters (06:06)
9. Legato Mode (01:47)
10. CBD Mode (02:34)
11. Using Tune & Bend (01:59)
12. About FM Synthesis (05:03)
13. Pulse Width Modulation (02:09)
14. Digi Wave Modulation (03:01)
15. Modulating Oscillator 2 (02:41)
16. Adding Oscillator 3 (03:08)
17. Sound Workshop 1 (05:58)
18. Filter Flow Part 1 (06:40)
19. Filter Flow Part 2 (07:33)
20. Filter Modes Part 1 (04:26)
21. Filter Modes Part 2 (03:27)
22. Sound Workshop 2 (07:05)
23. Using Filter Chains (01:36)
24. Reseting Filters (01:46)
25. The Big One! (01:04)
26. Distortion WorkShop (03:49)
27. Using The X-Y Pad (03:07)
28. LFO Overview (04:00)
29. Envelopes Overview (04:52)
30. Envelope 3 Workshop (07:28)
31. Side Chain Routing (08:32)
32. Aboard The SS Vector (01:12)
33. Vector Geography (02:11)
34. Vector Targets (01:42)
35. Vector Timeline (03:14)
36. Sustain & Loop Modes (01:36)
37. Vector Loop Modes (02:29)
38. Vector Loop Count (01:38)
39. Vector Envelopes Part 1 (02:06)
40. Vector Envelopes Part 2 (01:58)
41. Using Curves (01:11)
42. Preserving The length (01:05)
43. Adding Vector Points (01:26)
44. Vector Context Menu (01:58)
45. Vector Global Time (02:06)
46. Vector Workshop (05:43)
47. The Randomizer (04:03)
48. Using Macro Mode (01:20)
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